Equipment
Microphones, analogue preamps and processors, monitors, keyboards, guitars and amps – all available during your session at no extra cost.
Microphones
The large-diaphragm condenser microphone most used by “big” studios – practically the studio standard for 50 years. Few studios in Hungary have one, mainly because of the price: even a used one costs over a million forints. Crystal-clear, classic sound with rich detail. We use it for lead vocals, backing vocals, rap, dialogue and acoustic instruments.
Preamps & processors
The Fusion is a fully analogue stereo processor that carries the analogue sound character of SSL (Solid State Logic) large-format consoles. Its analogue circuits lend warmth, finesse and detail to your music.
Preamps & processors
The “Legend”. The foundation of 50 years of music: the result of the tube preamp (610) and the 6176 compressor working together.
Keyboards & organs
Genuine Hammond organ sound. Not almost, not very similar – exactly that. The XK-5 is a worthy successor to the Hammond B3, in a package fit for today: tube preamp, beautiful wooden cabinet, massive sound.
74 items
From large-diaphragm condensers to ribbon and dynamic microphones.
The large-diaphragm condenser microphone most used by “big” studios – practically the studio standard for 50 years. Few studios in Hungary have one, mainly because of the price: even a used one costs over a million forints. Crystal-clear, classic sound with rich detail. We use it for lead vocals, backing vocals, rap, dialogue and acoustic instruments.
Studio-quality condenser vocal microphone for stage use. Handles sound pressure levels of up to 150 dB without clipping. Primarily a vocal mic, but we also use it on saxophone, trumpet, trombone, harmonica, acoustic guitar and guitar cabinets.
These microphones perform superbly on almost every instrument and voice. Their balanced character and freedom from unwanted resonances make them brilliant in most situations.
Nicknamed the “Russian Neumann”, the Oktava microphone factory has been making high-quality microphones since 1927. A fun fact: Yuri Gagarin, the first man in space, spoke his famous “Davai” into an Oktava headset microphone. Today their high-quality microphones can be found in most recording studios. We have a stereo pair in stock, used mainly for drum overheads or acoustic guitar recordings.
Studio-quality ribbon microphone. An ideal choice for electric guitar and brass instruments, and in some cases we also use it to record vocals.
An extremely versatile microphone. Primarily a studio vocal mic, but it also performs very well on bass, electric guitar and kick drum.
Kick drum and bass microphone that can be used both in the studio and on stage.
Cymbal and overhead microphone.
Natural sound and high resistance to feedback. An improved version of the SM58, primarily for vocal work.
The true studio-standard dynamic instrument microphone. Electric guitar, snare, toms, acoustic guitar and more – it holds its own practically anywhere.
The “Shark”, one of the best-known microphones in the world. A versatile, legendary cardioid microphone that works in a wide range of studio recording situations.
Top-of-the-range dual-diaphragm dynamic microphone.
Drum microphone set for miking the full kit.
Dynamic instrument microphone, primarily for guitar cabinets.
The classic dynamic vocal microphone.
Analogue preamps, compressors and bus processors.
Classic tube and solid-state analogue preamp. Besides lending a genuinely warm analogue colour to the sound, its special feature is that the tube and solid-state characters can be blended. Professional A/D conversion, complemented by 1176-style compression. A truly good vocal track is unthinkable without it.
The Fusion is a fully analogue stereo processor that carries the analogue sound character of SSL (Solid State Logic) large-format consoles. Its analogue circuits lend warmth, finesse and detail to your music.
Three-band stereo FET compressor. We use it mainly for mastering, where the low end needs more weight while the top should be livelier, brighter and more airy.
Eight-channel microphone preamp designed by Rupert Neve. Its warm tone has made it highly sought-after, and its sound can be heard on countless studio recordings.
Reference channel strip: tube mic preamp, compressor, EQ and limiter in one unit.
Stereo passive equaliser for mixing and mastering.
The “Legend”. The foundation of 50 years of music: the result of the tube preamp (610) and the 6176 compressor working together.
An analogue stereo bus processor built on the legendary G-Series bus compressor of SSL consoles, extended with dynamic EQ. In mixing and mastering it is what glues the mix together: a tighter, more cohesive sound without losing dynamics.
Audio interfaces, DSP and the controllers at the mixing position.
16x22 and 12x18 audio interfaces with a remarkably open and detailed sound. We can record 20 microphone/line signals at the same time, which is usually enough even for a large ensemble. While recording you hear yourself without any latency, and you can even listen to a version that is already compressed, reverbed and processed the way it will sound on the record. For rap, the Auto-Tune effect can be heard live, so you can concentrate fully on the performance.
SSL hardware plugin controller.
DAW studio controller we use for recording, mixing and automation.
DSP expansion, so we never have to compromise when using UAD plugins – giving us access to practically the entire library.
MIDI interface connecting the studio’s instruments and controllers.
The centrepiece of our studio: two 27" full touchscreen controlled monitors that make recording, mixing and mastering feel more like fun than work. The American Slate Digital system is part of advanced, modern studios. Recordings are made on a Mac Pro, and finished material is stored on external G-RAID drives with immediate backups, so it is practically impossible for any recorded material to be lost.
Professional studio monitor designed specifically for recording, mixing and mastering music. Characterised by a wide-range, crystal-clear sound.
Studio monitor for reference listening, with lower output and a narrower playback range. We test every finished production on several monitoring systems to make sure it sounds its best in every situation.
Loudness and audio meter for standards-based level checks of mixes and masters.
Six-channel headphone amplifier for independently adjustable headphone monitoring of several musicians at once.
Closed and open studio headphones for tracking, monitoring and reference listening.
Organ, pianos, synthesizers and workstations.
Yamaha’s 61-key flagship in a beautiful white finish. 5,120 Yamaha voices. Need we say more?
Genuine Hammond organ sound. Not almost, not very similar – exactly that. The XK-5 is a worthy successor to the Hammond B3, in a package fit for today: tube preamp, beautiful wooden cabinet, massive sound.
88-key, fully weighted hammer-action MIDI master keyboard. We play the studio’s virtual instruments – pianos, synths, orchestral instruments – from it, with sounds and parameters controlled directly from the keyboard.
The pinnacle of the “one-man” music workstation. Excellent voices and a very playable keyboard. Its accompaniment engine is currently the best on the market. If you want your own MIDI preserved for posterity in studio quality, the best thing that can happen is for the Genos to play it for you.
A Hammond sound calls for a genuine Leslie. Two rotors, 300 W, tube-powered.
Excellent electric piano, piano and organ sounds.
Yamaha’s flagship synthesizer with 76 keys. It combines three sound engines – AWM2 sample-based, FM-X and AN-X analogue-modelling synthesis – covering everything from realistic acoustic instruments to modern synth sounds.
73-key stage instrument with piano, organ and synth sections.
Synthesizer with virtual analogue, wavetable, FM and sample-based sound generation.
Lower manual for the Hammond XK-5 – for two-manual organ playing.
Rack-mount sound module with Roland’s sound library.
Standalone MPC music production workstation with 37 keys – for beat-making and sampling.
49-key MIDI controller keyboard.
Analogue synthesizer with 37 keys and the signature Moog ladder filter. Fat basses, lead and solo sounds – genuine analogue character that no plugin can replace.
Classic and modern bass tones are unthinkable without it. Anyone can dial in their own unique bass sound in moments.
50 W all-tube bass head + Ampeg 400 W 15" cabinet.
50 W tube head that, with the help of the UAD OX Box, we can drive right into its “sweet spots”. Come by, listen and try it – it could be what you hear on your next record.
100 W solid-state modelling guitar combo. With Boss’s top-of-the-range 12" Waza speaker and the Tone Studio editor software, it makes a punchy package. Boss’s well-known effects in one place (60 of them!), and ready-made effect packs can even be downloaded to the amp. It holds its own whether miked or recorded direct.
15 W tube combo with the original vintage Fender sound. This version is fitted with a 12" Jensen speaker. We can mic it for you with a Shure SM57, a Royer Labs R10 ribbon microphone or both. It can of course also be connected to the UAD OX, letting you try practically every musically significant guitar cabinet.
Classic tube amplifiers are extremely powerful, so that they could deliver enough level even on the largest stages under the limited PA and monitoring conditions of the ’50s and ’60s. Today, however, that is increasingly a drawback: tubes and speakers sound their best when they are really driven – preamp, power amp and speakers all start to distort, and together they create the character that has shaped popular music for more than half a century. The Universal Audio OX Amp Top Box solves this: connected between the amp and the cabinet, it lets us set the volume freely without giving up the complex tone, dynamics and response that would otherwise only be available at full volume. With dozens of selectable cabinet and microphone emulations, the OX brings exceptional flexibility and variety to the studio – as if the best microphones were set up in an ideal acoustic space in front of a premium cabinet, perfectly positioned. All without the stands, extra equipment and constant adjustments. Come along and let’s create the guitar sound you think is best together. You can bring your own tube amp or choose from ours.
The eternal classic. It holds its own in practically every musical style. Ash body, maple neck and fingerboard, all in a beautiful white finish. And the sound…
Founded by bassist Dan Lakin, “Lakland” has been synonymous with breathtaking bass guitars since 1994. Naturally, our studio has one of them: the 44-02 model.
Acoustic-electric bass guitar.
20"-10"-12"-14" sizes, designed specifically for studio work. A beautiful-sounding kit for many styles. Of course you can also bring your own drums and we will mic them up.
An electronic drum kit with the look of an acoustic kit: full-size, wood-finished shells and cymbal-style pads, so drummers play it just like a traditional kit. Performances can also be recorded as MIDI, so sounds, dynamics and individual hits can be edited or replaced afterwards. It allows silent recording with no spill – ideal for demos, practice and songs where the drum sound is decided at the mix.
Percussion pad (Octapad).
Hand percussion set.
8- and 2-channel DI boxes, used mainly for keyboards and drum machines.
Electric guitar/organ/keyboard effect: a simulator of the legendary Leslie 122. Paired with our Hammond organ, the results are massive. The more adventurous also put it in front of guitar amps.
Tremolo and reverb pedal.
Multi-texture reverb pedal.
Synth effects pedal for guitar and bass.
Overdrive pedal designed for organ.
Overdrive pedal – two versions.
Distortion pedal.
Sonic maximizer pedal.
Modulation effects pedal.
Active DI box.
16-channel digital mixer we use for location work and live sound.
Compact digital mixer for live sound and location work.
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